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| Short Bio |
| Filmography and
Cinematography |
| Distribution of the films and
Photographic Rights |
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Babette Mangolte is an experimental filmmaker living in New York City. She had two complete retrospectives of her films and camerawork in 2000 in Germany (organized by Madeleine Bernstorff and Klaus Volkmer) at the Berlin and Munich Cinematheque and in 2004 at Anthology
Films Archives in New York City with the opening of her 2003 film Les Modèles de Pickpocket. In 2007 her film Seven Easy Piecesby Marina Abramovic (2007) premiered at the Berlinale 2007.
Her films and photo work were included in "The
American Century" show in 1999 at the Whitney
Museum in New York and "Century City" at the
Tate Britain in London in 2001.
Mangolte is also known for her photography of dance,
theater and performances. Her work was included with
several performance photographs and two film
installations in a show titled "Art, Lies and
Videotapes: Exposing Performance" organized by
Adrian George at TATE Liverpool (United Kingdom) in
2003.
Among her more recent shows, “Live Art on Camera” at John Hansard Gallery, Southampton, UK, Curator Alice Maude-Roxby, “ Un teatre sense teatre” at Museu d’Art Contemporari de Barcelona, Curator Bernard Blistene (tour to Museu Berardo, Lisboa, Portugal) and Mangolte’s first solo show in the US at BROADWAY 1602, New York, curated by Anke Kempkes, all in 2007 and in 2008 a two films installation titled Presence a t the Berlin Biennale 2008 and a second solo show at Broadway 1602 titled “Collision”. A new photo installation TOUCHING was included in a show at Akademie der Künste “re.act.feminism – performancekunst der 1960er & 70er jahre heute” curated by Bettina Knaup und Beatrice E. Stammer, till February 8, 2009.
She did a one month residency at OCA in Oslo, Norway in May 2009.
In 2010 she was included in numerous shows, in particular in the Whitney Biennial 2010 with “How to look ….”, and in a show at Migros Museum in Zurich, “While Bodies get mirrored… “, Mangolte also had two solo shows, one at Broadway 1602, New York in summer 2010 titled “Movement and Stills” and another solo show at Scorcha Dallas in Glasgow, UK titled “Yvonne Rainer: Testimony to Improvisation 1972-5”. In addition she was included in “Mixed Use: Manhattan” at Museo Reina Sofia in Madrid, Spain, curated by Lynne Cook and Douglas Crimp.
Mangolte has published essays on photography, documenting performance and changing technologies.
For more complete information look at the web site
www.babettemangolte.com |
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Linda Patton in What Maisie Knew, film by Babette
Mangolte
Delphine Seyrig in Jeanne Dielman, 23 Quai du Commerce,
1080, Bruxelles, film by Chantal Akerman (Gros
Plan/CU)
Delphine Seyrig in Jeanne Dielman, 23 Quai du Commerce,
1080, Bruxelles, film by Chantal Akerman (Plan
d'ensemble/LS) |
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| FILMOGRAPHY
& CINEMATOGRAPHY |
| Directed/Produced/Photographed &
Edited by Babette Mangolte |
1975 What
Maisie Knew 58 min. 16mm B&W
1976 (Now) (Maintenant entre parentheses) 10 min. 16mm
color
1977 The Camera: Je (La Camera: I) 88 min. 16mm
Color
1978 Water Motor 9min. 16mm B&W - Choreography:
Trisha Brown
1979 There? Where? 8min. 16mm Color
1980 The Cold Eye (My Darling be Careful) 90min. 16mm
B&W
1982 The Sky on Location 78min. 16mm Color
1991 Visible Cities 31 min. 16mm Color
1993 Four Pieces by Morris 94 min. 16mm Color -
Choreography: Robert Morris
1995-99 Dismantle(an essay on photography) 16mm Color
in progress
2000 Homemade, 6 min. Super 8mm/Digi Beta Choreography:
Trisha Brown
2003 Les Modèles de Pickpocket, 89 minutes Digi Beta
PAL 16:9
2004 Roof and Fire Piece, 31 minutes, Choreography:
Trisha Brown 1973, DVD, ArtPix
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Director of Photography
(selection)
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1971
"L'Automne" Marcel Hanoun 90min. 16mm B&W
1972 "Lives of Performers" Yvonne Rainer 90min. 16mm
B&W
"The Room" Chantal Akerman 10min. 16mm Color
"Hotel Monterey" Chantal Akerman 100min. 16mm Color
1973 "Film About a Woman Who..." Yvonne Rainer 90min.
16mm B&W
"Rameau's Nephew" Michael Snow 210min. 16mm Color
co-credit
1974 "Glass Puzzle" Joan Jonas 24min. Videotape
1975 "Jeanne Dielman, 23 quai du Commerce, 1080
Bruxelles"
Chantal Akerman 195min. 35mm Color
1976 "Out of the Body Travel" Richard Foreman 90min.
Videotape
"News From Home" Chantal Akerman 90min. 16mm Color
1978 "Strong Medicine" Richard Foreman 85min. 16/35mm
Color
1979 "La Conquete de L'Espace" French TV Documentary
(co-credit)
"Sigmund Freud's Dora" Anthony McCall, Claire
Pajaczkowska,
Andres Tyndall, Jane Weinstock 45min. 16mm Color
"New York Story" Jackie Raynal 35min. 16mm
B&W/Color
1981 "The Gold Diggers" Sally Potter 85min. 35mm
B&W
1982 "Borneo Playback: A Sabah Story" Carol Kreeger
Davidson
90min. Videotape
1983 "Hotel New York" Jackie Raynal 60min. 16mm
Color
1984 "Un Jour Pina a demande..." Chantal Akerman
60min.16mmColor
1986 "Routines Pleasures" Jean Pierre Gorin 81min.
B&W/Color (DP & co-editor)
"Fire in the East: a Portrait of Robert Frank"
Philip Brookman and Amy Brookman 29min. Beta SP
1987 "Artist on Fire" Kay Armatage 60min. 16mm Color
"Radio Rick in Heaven and Radio Richard in Hell"
Richard Foreman 14min.B&W
"Lenz" JoAnn Akailitis 15min. 16mm B&W
1988 "The Road to Damascus (Life of Saint Paul of
Tarse)"
Ludovic Segarra 35mm 100min. Color (France)
1991 "My Crazy Life" Jean Pierre Gorin 100 min. 16mm
Color
1993 "Central Park" Sande Zeig 9 min. 16mm B&W
1994-95 “Robert Wilson, Visionary of the
Theater” CD-ROM project, Riverbed (Paul Kaiser,
New York)
1998-2003 “The Interview” Ross Lipman
16mm/35mm Color
2004 “Project Lygia Clark” with Suely
Rolnik (in progress) Digital Video PAL
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| Film Documentation |
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1976 Robert Rauschenberg
exhibition show at the Smithsonian Institute, National
Gallery of Fines Arts, Washington D.C.
1978 Robert Rauschenberg show ("Works from Captiva")
Vancouver Canada |
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| Video Documentation |
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1985 "The
Making of Lateral Pass" choreography by Trisha Brown,
music by Peter Zummo, set design by Nancy Graves,
Minneapolis (Unedited footage)
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Collections
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"What Maisie Knew"
Beaubourg Museum, Paris, France
New York Public Library, Donnell Branch, New York
National Library of Australia, Canberra
"The Camera: Je"
Museum of Modern Art, New York
Institut National de l'Audio Visuel, Paris, France
"The Cold Eye"
Berlin Cinematheque, Berlin, Germany
Bruxelles Royal Cinematheque, Bruxelles, Belgium
“There? Where?”, “The Sky on
Location”& “Visible Cities”
Berlin Cinematheque, Berlin, Germany
“Four Pieces by Morris”
New York Public Library, Lincoln Center Branch, New
York
Cinematheque de la Danse, Paris, France
“Water Motor”
New York Public Library, Lincoln Center Branch, New
York
Cinematheque de la Danse, Paris, France
Fondazione Sandretto Re Rebaudengo, Turino, Italy,
Print in 35mm
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